How To Know If You Are A Professional Painter

wave #2
2-3/4" x 6 " x 1/4"
oil on palm sheath and masonite
© 2014 by julie susanne

"Am I a professional painter?" Have you ever asked yourself that question?  How do you know you are a professional painter?  Are you a professional painter because you have a degree in fine arts, because you were in this show or that show?   Or are you a painter because of your commitment and drive?  Do you paint when it is inconvenient? It's too damn hot, you're still painting. It's too cold, you're still painting. Your body hurts from holding the same position, you're still painting. The bugs are tormenting you, you're still painting.  When painting in public, people are critiquing, commenting, quipping, and basically tormenting you as well, you're still painting.  You're tired and hungry, you're still painting.  When you think about painting you are thinking about how to enhance your development, how to push it further how to get better.  Your focus is on making better art.  You rarely think in terms of what is selling right now in order to paint that.  When you do think about painting what is popular, you can't bear the thought of it.  Instead, you paint what you are driven to paint.  You paint because you have to.  When you are not painting, you are unhappy, maybe even depressed.  You wonder how little you could live on to survive and paint full-time.  You sell your stuff to buy more paint or a brush.  You know that if you price your work for what the market will bear that you are making about half of minimum wage, and you paint anyway.  So how do I know I am a professional painter...I just know.

Art Opening at Expressions

Beach Shack
6" x 12" x 1/4"
oil on masonite
© 2014 by julie susanne

Expressions of Local Art in Melbourne Beach, Florida is the place to be this Wednesday evening for Meet the Artisit Nite. This new venue is having it's second art opening Wednesday, April 2, 2014 from 7pm to 9pm. Stop in and see my latest work from the series: Old Florida.

Protecting Oil Paintings; Temperature and Humidity

Painted properly, an oil painting's driest layer or leanest layer is underneath the surface layers. These surface layers contain the fattest paint or the paint containing the most oil. A painting can thus dry from the inside-out without cracking. A painting can take a month or more to "dry." Though it may be 6 months or more before a painting has cured or sufficiently hardened. I began discussing caring for an oil painting in a previous post. Environmental factors can aid or inhibit the curing process. Temperature and humidity can negatively impact a painting. The ideal environment is dust-free, smoke free at a temperature of 70° F and a relative humidity of 45-55%. These archivally perfect conditions can be replicated for work that you intend to last centuries. If perfect museum conditions are not possible or practical, a modified plan can be put into place. For example, during the most humid time of the year, keep paintings in a climate controlled environment. Temperature fluctuates less in inner rooms, and on inner walls. Outer walls and rooms closer to the exterior have greater temperature and humidity changes. Prevent mold and moisture and heat exposure by not hanging artwork in bathrooms, kitchens or other moist areas. Limit other environmental insult by not keeping art near fireplaces, wood stoves or in rooms where cooking occurs. Artwork placed on walls near radiators and wall vents can also suffer. Ideally art should not be stored in attics, basements or garages. Even taking a few simple precautions can extend the life of your original artwork.

Caring For Oil Paintings

Protecting Artwork; Newly Painted Work

Although paintings are dry at the time of sale, they have often not had enough time to cure. Curing is a chemical process that can take 6 months or longer. During this time it is important to protect the artwork from damage. Do not touch, rub, scrape or clean a painting for at least a year from the date of purchase. Do not seal or varnish a painting during this time either. If moving or shipping a painting It is critical that the painted area does lean against any surface and does not touch packing materials in any way. When viewing artwork before purchase, during purchase or after purchase, do not allow the painting to be touched. Even after the curing process it is important to protect the painting from dirt and oils from hands, or other items.

Expressions of Local Art, Melbourne Beach, Florida



Art Meets Local Color



 

Boats and Deep Sky
7 1/4" x 10 1/4" x 1/4"
oil on masonite
© 2014 by julie susanne

Central Florida's newest art venue promises to be "something a little different," according to Billie and Bruce Black, the proprietors; Think: art gallery meets beach casual. Steps from the ocean at Melbourne Beach, Expressions of Local Art has invited local artists to display their beach themed work in this venue on Ocean Avenue. Approximately 20 artists will have original work for sale at various price points. There are paintings, sculpture, furniture, jewelry, garden art and more. The Grand Opening Night where you can Meet and Greet the Artists will be December 19, 2013 from 7pm to 9pm. Stop in and see my latest work from the series: Old Florida!

Wedding Party Painting Progresses

The Narrative Unfolds

Painting a Narrative for me is painting a story in pictures.  It unfolds and twists an turns as I paint.

Below is the process.
After the new pile of rocks was blocked in,next came...
what is there?
people.
women in dresses.
long dresses.
lots of fabric.
pastel colored.
reaching? waving?
reaching.
for what? something from other side of diptych;
something being dropped, thrown?
tossed.

Second half of diptych blocked in before additions above:

As these parts were being painted in, elements from the other side emerged. Those will be discussed next post.
See first half of painting here.

Wedding Party- a new painting

This diptych was started this summer. This shows something of my process when painting these narratives. A painting is started with a simple idea or character.

It may be

"rocks" and

"water."

As I begin to paint these I see other elements emerge and I paint them:

"ocean,"

"person on rocks,"

"balancing on one foot." 

It continues from there...

"rough waves,"

"stormy clouds, but bright sunlight."

In this case, the painting was fairly well developed when the story continued to unfold and another panel was started:

"more rocks,"

"same rock pile or separate pile?"

"same pile but separation of ...." "of what?"

I did not know. See what came into the story next post!